DOCTORAL PUBLICATION (2020) Reacclimating the Stage (Skenomorphoses) : An Ecotonal Doctoral Piece in 40 Scènes, 15 Parergonal Writings and 5 Double-Postcards. Series: Acta Scenica, 58, University of the Arts, Helsinki.
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2022. Data Ocean Theatre, Guest Lecture, Turku Arts Academy (AMK), Turku, Finland.
2022. Stage As Milieu, IFTR World Congress “Shifting Centers: In the Middle of Nowhere”, General Panel, University of Iceland, Reykjavik, Iceland.
2022. Untitled (Submerged), Proceedings of 7th biennial Colloquium of Artistic Research in Performing Arts CARPA7, Nivel 17, Contributors & editor, Performing Arts Research Centre (TUTKE), Theatre Academy of the University of the Arts Helsinki
2021. Untitled (Submerged), video presentation, 7th biennial Colloquium of Artistic Research in Performing Arts CARPA7, Uniarts, Helsinki, Finland.
2021. THE_THEATER_REPRESENTS_A_SEA_AND_ROCKS_ON_ONE_SIDE/AND_ON_THE_OTHE R_SOME_TREES_AND_HOUSES_(THE _BACKDROP_AND_ITS_DOUBLE), Networked Actor Theory. Nivel 14, Ed. Condit, Outi & Kellokumpu, Simo. Publication Series of the Theatre Academy, University of the Arts Helsinki. nivel.teak.fi/nat
2021. Data Ocean Theatre: Gobos, video essay presentation, Brave New Peripheries Conference online, Aalto University, Espoo, Finland.
2020. Réacclimations Scéniques, Cycle “Grands Entretiens” Architecture/Art de la Scène, Le Quadrilatère/Théâtre du Beauvaisis, Beauvais, France
2020. Reacclimatizations, performed research presentation, Alliances & Commonalities Conference II, Uniarts Stockholm, Sweden
2019. Reacclimating the Stage, The Very First Sensorium of Artistic Research, Institut Finlandais, Paris, France.
2019. There is Nothing Outside the Stage Any Longer, research exposition, RUUKKU journal, #12 Peripheries. Editorial team: Mari Mäkiranta, Eija Timonen, Maiju Loukola.
2019. Q̶͈̬̿͝l̴̛̬̝̒o̵̰̍̔ǘ̴̼ḓ̷̟̓̅s̷̻̦̆Q̸̠̿͒u̷͓͚͊̽A̸̛̘͝r̷̖͈̀͝ṭ̶̏͘z̶̩̩͛,̶̜͎̿ ̸̥͘Q̸̦̒̎p̸̘̽ȩ̵̛̱̃n̴͕̈̕i̴̬̚n̶͑ͅͅg̸̢͕͑̒ with Simo Kellokumpu and Outi Condit at The 6th Colloquium on Artistic Research in Performing Arts, Kiasma Museum, Helsinki
2019. Reacclimatizations, installation, performance, and panel presentation at Performance Studies International #25 “Elasticity”, Calgary, Canada.
2019. Q̶͈̬̿͝l̴̛̬̝̒o̵̰̍̔ǘ̴̼ḓ̷̟̓̅s̷̻̦̆Q̸̠̿͒u̷͓͚͊̽A̸̛̘͝r̷̖͈̀͝ṭ̶̏͘z̶̩̩͛,̶̜͎̿ ̸̥͘Q̸̦̒̎p̸̘̽ȩ̵̛̱̃n̴͕̈̕i̴̬̚n̶͑ͅͅg̸̢͕͑̒ re-opening, with Simo Kellokumpu and Outi Condit at CARPA 6, Performing Arts Research Centre, University of the Arts, Helsinki, Finland
2019. Q̶͈̬̿͝l̴̛̬̝̒o̵̰̍̔ǘ̴̼ḓ̷̟̓̅s̷̻̦̆Q̸̠̿͒u̷͓͚͊̽A̸̛̘͝r̷̖͈̀͝ṭ̶̏͘z̶̩̩͛,̶̜͎̿ ̸̥͘Q̸̦̒̎p̸̘̽ȩ̵̛̱̃n̴͕̈̕i̴̬̚n̶͑ͅͅg̸̢͕͑̒ with Simo Kellokumpu and Outi Condit at 10th SAR International Conference on Artistic Research, Zurich University of the Arts
2018. pompom with Simo Kellokumpu and The Actress with Outi Condit, expositions at Alliances and Commonalities International Conference on Artistic Research – Panel Art, Technology, Materiality, Stockholm, Sweden.
2018. weSANK with Emmanuelle Chiappone-Piriou, workshop, installation and panel presentation at Performance Studies International #24 “Performance As Network”, Daegu Art Factory, Daegu, South Korea.
2018. Scenic Mutations, Study Day at Orpheus Instituut, Ghent (Belgium)
2017. Neganthroposcenic Chronotopias; Three Examples, The Contemporary Contemporary conference, AroS Museum, Aarhus, Danemark.
2017. Considerings, Research presentation, Camino Events, Research Pavilion, 57th Venice Biennale, Venice, Italy. With Emmanuelle Chiappone-Piriou.
2016. de rêves; Une Pièce Photo-Scénique, Journée d’étude Théâtre et Photographie, with Pétrel I Roumagnac (duo), Université Paul Valery – Montpellier 3, Montpellier, France.
2016. On the Destabilization of the Instrumental Authority of the Verbal Elaboration in Artistic Research Presentation (A Double Experiment), Swedish Research Council’s Symposium on Artistic Research 2016 Research Ethics and Artistic Freedom in Artistic Research, Växjö, Sweden.
2016. The Theatre Season; Staging seasons on the brink of ecological collapse, Performance Studies International #22, Melbourne, Australia.
2016. Genealogies of Artist-Researchers: Past Practices and Imagined Futures for Artistic Research in the Performing Arts, International Federation for Theatre Research, conference IFTR2016 “Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices”, Stockholm, Sweden.
2016. How to stage Heterochronic Theatre: An Introduction, Speaker Series, SenseLab, Concordia University, Montreal, Canada.
2016. The Theatre Season, research presentation in the Departement of Communication of l’Université de Montréal, Montreal, Canada.
2015. Latences, Réserves, Altérations…with Pétrel I Roumagnac (duo), colloquium « Théâtre et Photographie. Croisements, échanges, écarts autour de la performance », Université Lyon Lumières 2..
VINCENT ROUMAGNAC 